Gig review and pictures: The Pipettes at Hoxton Bar & Kitchen, London (20/04/2010)

The Pipettes have seen a lot of changes over the years and this pairing of Gwenno and Ani is the 5th  vocal line-up they have had (yes, that’s more than the Sugababes!).  And with this changed and trimmed line-up comes a changed yet more fleshed out Pipettes.

Gone are the polka dots, gone are the 50′s vintage cocktail dresses, gone is the bubblegum pop music… but thankfully the dance-routines and general over-flowing happiness has remained.

The new sound of The Pipettes is a lot less girlie pop, a lot more free-flowing disco and a lot less obvisouly retro.  It has filled out,  grown-up and is a bit more satisfying.  Luckily though, as echoed by every deeply rolled “r-r-r-r-reee-asurance” pushed out by Ani on Finding A Way, they have not lost that cutesy charm.

Despite a bit of a slow start, the set soon gained pace and the girls settled in their stride to make a show that was lively, with a lot of new songs intertwined with a few classics for good measure.  And then there was the dancing… newish song Shake! Twist! Stomp! is every bit as playful and infectious as Lucky Soul’s shakin’ and shimmyin’ (and called for a good dose of crown participation).  Actually, I have an idea, on the forthcoming album they should include like an instructional manual outlining all of carefully crafted dance routines… or better yet the girls should release an exercise DVD because every record seems to have its own routine with more hand movements and step turns than you can imagine… seriously, I was waiting for them to bruk out in to a Bogel or Butterfly, but alas the moment never came.

Song of the night was Can Somebody Tell Me What I’m Meant To Do, a mid-tempo, melancholy disco number which seems a lot more heartfelt than the spontaneous records we are accustomed to from them.  Turning the Human League’s Darkness in to a sugar-coated pop song was a treat too.

After the main set the girls returned for an encore of Judy and Pull Shapes.  While being great songs, they sounded a little out-of-place versus the newer records that had come before.

The  Pipettes have moved on and grown up and in doing so have added a whole new dimension to their live show.  It’s almost like a new group, taking the best bits and moving from the obviously retro and in to the future while still having a whole lotta silly fun on the way!.

Soulside Funk

The Pipettes, Hoxton Bar and Kitchen, London - GwennoThe Pipettes, Hoxton Bar and Kitchen, London - GwennoThe Pipettes, Hoxton Bar and Kitchen, London - AniThe Pipettes, Hoxton Bar and Kitchen, London - AniThe Pipettes, London, Hoxton Bar and Kitchen

Gig Review and Pictures: Mini Viva @ Gold Dust – 16.09.09

Mini Viva

On Wednesday night, at the ever reliable Gold Dust, Mini Viva delivered a set far better than I was expecting and matched the trendy crowd pout for pout.

The pop-duo’s performance was an assured quasi-glamourous fair  as they strut their stuff, pouted their lips and basically had fun while being to be cool enough to match their music.  Probably still buzzing from the number 7 chart position on Sunday they appeared to glow on stage, as if all was right with the world.

And lets not forget about the music, their brand of disco tinged pop wasn’t bad either.  Kicking the set off with a raucus performance of Left My Heart In Tokyo they never looked back and the songs continued to get better.  The band matched the girls energy step-for-step to create some really infectious shoulder wiggling vibes.  The highlight for me was the ‘mellow’ song (which I’ve named Feel - no one ever announces the song names, lol) because it served as nice emotional diversion to glitz and glam.

Mini Viva are certainly enjoying their moment in the spotlight and long may it continue.  Definately worth catching live if your partial to a bit of very credible pop music.

Soulside Funk

Mini Viva Gold Dust 01Mini Viva Gold Dust 02Mini Viva Gold Dust 11Mini Viva Gold Dust 03Mini Viva Gold Dust 04Mini Viva Gold Dust 08Mini Viva Gold Dust 10Mini Viva Gold Dust 12Mini Viva Gold Dust 07

Gig Alert: Nokia Roller Disco (6th – 9th August)

Noka Skate Banner

Well this isn’t actually a gig in the purest sense… more of a hybrid!  Nokia, in their corporate drive to reach the ‘yoof’ by becoming music aficionados are putting on a free (yes, FREE) Roller-Disco next weekend.

It’s in London Town, near Tower Bridge (Google Map – http://bit.ly/65WZN) and runs from Thursday 6th to Sunday 9th August.  Slots are an hour each.

To make it that little bit special, they have live bands and DJs to provide the music.  So far I’ve heard that; Hot Chip, Little Boots, The Pipettes and Calvin Harris are all playing.  They haven’t announced the set times, so you just gotta get lucky… however free is free!!!

Go here to get your tickets – http://skatealmighty.nokia.co.uk/Tickets.aspx

I’ll be the one on the floor the entire time… I cannot Roller-skate to save my life, but free is free!

Soulside Funk

Interview: Bright Light, Bright Light

Bright Light Rod Thomas Banner

On a very rainy day in East London I learned something very important; if you are doing an interview make sure you have an up to date picture of the person you’re meeting if you’ve never met them before!  So although I had planned to meet Bright Light (x2) before the show, I couldn’t find him (however I later realised he was sat in front of my while I was trying to download a pic on my  phone!!! – I don’t have an iPhone or Blackberry…).  After a very short and very sweet set, I managed to grab the Welsh purveyor of disco-tinged pop for a quick chat about his new sound and some person called Michael Jackson.

Soulside Funk: Bright Light, Bright Light, where did the name come from?

Bright Light, Bright Light: It kinda came from the fact the music I have been doing recently is more textured and more synth based, and I wanted a name to reflect that. I also do a lot of remixing as well, so I wanted a name to suggest something more dance based.

When you go by your first name and surname a lot of people presume you are acoustic, and that’s not really what I do…  it’s also a quote from Gremlins which is my favourite film!

SSF: I know you from the Rod Thomas days.  You mentioned that the name change was because of you moving away from the acoustic sound…

BL: Yeah, I wanted to have something that suggests energy.   I haven’t really played acoustic stuff for a long time now, and it’s not just me and a guitar anymore; there’s beats and there’s programming… a mix of organic and electric sounds.  Rod Thomas is not a weird enough name [for that].  I wanted to build an image as an artist where the name and the music match each other.

SSF: Do you feel like it was starting a fresh with the new name and the new sound?

BL: Yeah… to an extent.  It’s difficult when you’ve released stuff under a certain name, [especially when] you’ve had radio play and people have got on board… and then you change the name!   It’s a bit like a fresh start which has been kinda liberating, and actually quite fun.  I can play around a lot more and the distance between yourself and your name is kinda nice.

SSF: How do you find it being a totally independent artist; do you like the freedom that gives you?

BL: I do but it’s hard… a bit of a struggle.  I do like the fact I can choose the team around me and I get to work with a lot of people.  I am really fortunate that I have met some amazing people along the way and we’ll just collaborate (like Gold Panda, Sam Isaac and James Yuill).  So even though I am independent I don’t feel very lonely (laughs).

SSF: With the recession kicking in, do you think it is enabling more independent and unknown artists to get listened to?

BL: To an extent, but it also means there is a lot less money going around so if you do get to a level, where in the past you would’ve had more support financially (from other avenues), you don’t get that any more.  Yes you do get more opportunities to be listened to but it takes a hell of a lot more time to progress.

SSF: So if a major label came knocking tomorrow, what would you say?

BL: I depends what they offer really… the whole thing has changed quite a lot recently and it depends on how much input they would want to have.  What’s important to me is the team, and if it’s great people at the label then that makes it the right label for me!  If it’s not great people I get on with then there’s no point.

SSF: So I have to ask it, where were you when you found out Michael Jackson had passed away?

BL: I was somewhere massively pretentious actually (laughs), I was at Shoreditch House on the roof (winces in pain). My friend is like the biggest Michael Jackson fan and he just text me ‘Jackson Dead.’  I called him and then soon after everyone descended into conversation about that.

SSF: So did MJ have an influence on you and your music?

BL: If I am perfectly honest not really.  I never grew up listening to him… my cousins did, so I don’t know how I bypassed him.  I obviously knew his music and listen to it on the radio, however I never bought any of his albums until like 1994, 1995, so, the crux of my musical upbringing wasn’t around him at all.  That said, I do really really love his stuff and his song-writing is amazing.

SSF: So finally, what’s next for you?

BL: There’s going to be a single, which is the double A of Good Times and I Knew What To Say coming out in October, we’re just talking to the little label that are going to put that out at the moment.  I’m gonna play in New York, and I’m doing lots of writing… so yeah I’m keeping myself busy.

Soulside Funk

Links

Bright Light, Bright Light Myspace – http://www.myspace.com/brightlightx2

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