Gig review and pictures: Bebe Black and Ryan Keen at Gold Dust – 20/03/2013

At the end of Feb., the draw of Jetta was too much to keep me away so I finally went and checked out Gold Dust again, the monthly night at Hoxton Square Bar & Kitchen showcasing new talent. Jetta was the main reason I went, however the other two performers definitely deserve a mention… so in order of appearance (with Jetta sandwiched in between)…

…Bebe Black

Bebe Black is an interesting character singing electro-pop with a hint of the dark-side.  Some records really worked well; Never Forget, 3 O’Clock and Bones all stuck with me.  She’s not the finished article yet, however these nights are not about that, they are about finding exciting potential which Ms. Black has a ton of.  With La Roux releasing new music this year it may be a good time for the electro-sound again, and I hope Bebe can cut through.  Looking forward to seeing her perform again later in the year

Bebe Black at Gold Dust, LondonBebe Black at Gold Dust, LondonBebe Black at Gold Dust, LondonBebe Black at Gold Dust, LondonBebe_Black_Gold_Dust-3 Bebe_Black_Gold_Dust-5Bebe Black at Gold Dust, London

…Ryan Keen

Ryan Keen is a supremely talented individual.  Playing with his guitar in hand his songs were sharp and his voice sweet.  I could have listened to him all night such is the diversity of his songs.

He does throw up an interesting conundrum in my opinion, one I have been seeing more and more in the folk arena recently.  It is a problem reminiscent of Hip-Hop during the late 90s, when the most talented rappers were losing out to more ‘commercially viable’ ones.

Folk music seems to be experiencing similar issues at the moment.  Man with a guitar rarely breaks in the mainstream so many of the most talented artists are left with two options; dial up and layer the production for a hope of cut through to the mainstream and get the recognition their talents deserve, or stay true to the origins of the music but run the risk of being too niche for the shows and tours their talent warrants.

It is never that easy to just decide “hey I am going to go mainstream,” because more often than not it fails and you end up losing the following you had originally and gaining very few new ones on the way.  It is more about working in just enough to stay true to your origins while making yourself accessible.  I think Gabrielle Aplin is doing a good job of this at the moment.  You can hear the development in her music, however the changes have been subtle.  The there’s always the “selling out” bile the musos will spit at you (but that’s another issue all together).

My experience of folk music is that it is a largely rural experience with roots in smaller villages and towns.  Problem is that while those dwelling in towns and cities like the odd YouTube video of man with guitar (and the influential radio stations too) many will see it as a novelty.  Countryside sales alone will not deliver the Gold album… and I’ve digresses massively.

Ryan clearly has the talent and hopefully the world will get to experience these.  It’ll be interesting to watch how his career and music develops in the coming months.

Ryan Keen at Gold Dust, LondonRyan Keen at Gold Dust, LondonRyan Keen at Gold Dust, LondonRyan Keen at Gold Dust, London

Overall a good night at Gold Dust with three very diverse acts all with something unique to offer the music scene.  It is going to be great to see how Bebe Black, Jetta and Ryan Keen develop over the coming months and years because all of them have the potential be become a ‘big deal,’ and all of them will need to take a different route and make different decisions to get there.

Rob

Waxin’ Lyrical on… Bluey Robinson

Wax Lyrical - 2009.20.09 - Bluey Robinson

Bluey Robinson is seemingly superhuman, an uncontrollable force of nature.  OK, this may be a little extreme however if you ever get the opportunity to experience the Bluey Robinson show you will completely understand.

Bluey Robinson is an up-and-coming R&B/Pop singer who has all the thrust and verve of a superstar in making.  From London and New York (having spent his youth between the two cities) he honed his singing talents busking on streets and tube stations.  His style is comparable to the current brand of R&B crooners; Ne-yo, J Holiday, etc.  and has some very catchy tunes.

The Bluey Robinson show is a lot more than the music, and watching it all unfold is a spectacle in itself.  First there’s the entourage, I counted two cameramen, at least one photographer (with a separate guy holding the flash), his dad and about three serious looking dudes on mobile phones the whole show.  This created an air of importance around him.

Second there’s his fan base, an eclectic mix of ‘Heads’ and girls done up as if they were going to Movida.  Seriously, I have never seen that many high-heels and so much red lipstick at a gig. This served to create a sense of expectation; how can he serve both crowds?

Then thirdly there is the response, girls almost fainting (I was fully expecting some pants to be thrown on stage), people singing every word… random “brrrraappps!”  Which made for a surreal vibe.

Bluey Robinson is the kind of act JLS wish they were.  He already has a large fan base (four chicks even travelled from Hastings for the 25 min set), and puts on a colourful and exciting show.  Yes the whole experience is squarely targeted at 16-year-old girls, however with the talent he posses there is something everyone else too.  With his American swagger and British charm Bluey Robinson is a name you’re going to become familiar with.

Soulside Funk

Myspace Page – http://www.myspace.com/blueyrobinson

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Gig Review and Pictures: Mini Viva @ Gold Dust – 16.09.09

Mini Viva

On Wednesday night, at the ever reliable Gold Dust, Mini Viva delivered a set far better than I was expecting and matched the trendy crowd pout for pout.

The pop-duo’s performance was an assured quasi-glamourous fair  as they strut their stuff, pouted their lips and basically had fun while being to be cool enough to match their music.  Probably still buzzing from the number 7 chart position on Sunday they appeared to glow on stage, as if all was right with the world.

And lets not forget about the music, their brand of disco tinged pop wasn’t bad either.  Kicking the set off with a raucus performance of Left My Heart In Tokyo they never looked back and the songs continued to get better.  The band matched the girls energy step-for-step to create some really infectious shoulder wiggling vibes.  The highlight for me was the ‘mellow’ song (which I’ve named Feel - no one ever announces the song names, lol) because it served as nice emotional diversion to glitz and glam.

Mini Viva are certainly enjoying their moment in the spotlight and long may it continue.  Definately worth catching live if your partial to a bit of very credible pop music.

Soulside Funk

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Waxin’ Lyrical on… Rox

Rox Banner

It seems that UK soul may be going through a bit of resurgence – Zarif (who I still need to Wax Lyrical about…), Mamas Gun, and from Ireland we have Laura Izibor… it’s a good time to be a lover of UK soul and now we can add Rox to the list of treats!

I’ll be honest; I stumbled across Rox by accident.  I had just finished interviewing Bright Light, Bright Light and decided to hang around to see who else was playing on the night.  Just as I was contemplating leaving to catch the last train, Rox took the stage and I had to stay because who cares about a last train when each song gets better and better…

What I love about Rox is the sound is so raw and unpolished; rough around the edges to made each song sound that more relevant, that more vital.  Her voice is like wet velvet – trapped somewhere between Nina Simone and Lauryn Hill; raw enough to make you care, yet sweet enough to make you listen!

Rox is definitely one to keep an eye on.  To be honest, her myspace page doesn’t do her justice, you have to see her live to really get the Rox experience.  When you do you’ll understand my excitement.  UK Soul is back baby!!!!

Soulside Funk

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Links

Rox Myspace – http://www.myspace.com/roxmusik

Disclaimer: I am not saying she is as good or better than Nina Simone, or Lauryn Hill, just that her voice is somewhere inbetween the two distinct sounds for a unique sound of her own.  Thought i’d add that before some superfan starts sending me death threats!! (“,)

Interview: Bright Light, Bright Light

Bright Light Rod Thomas Banner

On a very rainy day in East London I learned something very important; if you are doing an interview make sure you have an up to date picture of the person you’re meeting if you’ve never met them before!  So although I had planned to meet Bright Light (x2) before the show, I couldn’t find him (however I later realised he was sat in front of my while I was trying to download a pic on my  phone!!! – I don’t have an iPhone or Blackberry…).  After a very short and very sweet set, I managed to grab the Welsh purveyor of disco-tinged pop for a quick chat about his new sound and some person called Michael Jackson.

Soulside Funk: Bright Light, Bright Light, where did the name come from?

Bright Light, Bright Light: It kinda came from the fact the music I have been doing recently is more textured and more synth based, and I wanted a name to reflect that. I also do a lot of remixing as well, so I wanted a name to suggest something more dance based.

When you go by your first name and surname a lot of people presume you are acoustic, and that’s not really what I do…  it’s also a quote from Gremlins which is my favourite film!

SSF: I know you from the Rod Thomas days.  You mentioned that the name change was because of you moving away from the acoustic sound…

BL: Yeah, I wanted to have something that suggests energy.   I haven’t really played acoustic stuff for a long time now, and it’s not just me and a guitar anymore; there’s beats and there’s programming… a mix of organic and electric sounds.  Rod Thomas is not a weird enough name [for that].  I wanted to build an image as an artist where the name and the music match each other.

SSF: Do you feel like it was starting a fresh with the new name and the new sound?

BL: Yeah… to an extent.  It’s difficult when you’ve released stuff under a certain name, [especially when] you’ve had radio play and people have got on board… and then you change the name!   It’s a bit like a fresh start which has been kinda liberating, and actually quite fun.  I can play around a lot more and the distance between yourself and your name is kinda nice.

SSF: How do you find it being a totally independent artist; do you like the freedom that gives you?

BL: I do but it’s hard… a bit of a struggle.  I do like the fact I can choose the team around me and I get to work with a lot of people.  I am really fortunate that I have met some amazing people along the way and we’ll just collaborate (like Gold Panda, Sam Isaac and James Yuill).  So even though I am independent I don’t feel very lonely (laughs).

SSF: With the recession kicking in, do you think it is enabling more independent and unknown artists to get listened to?

BL: To an extent, but it also means there is a lot less money going around so if you do get to a level, where in the past you would’ve had more support financially (from other avenues), you don’t get that any more.  Yes you do get more opportunities to be listened to but it takes a hell of a lot more time to progress.

SSF: So if a major label came knocking tomorrow, what would you say?

BL: I depends what they offer really… the whole thing has changed quite a lot recently and it depends on how much input they would want to have.  What’s important to me is the team, and if it’s great people at the label then that makes it the right label for me!  If it’s not great people I get on with then there’s no point.

SSF: So I have to ask it, where were you when you found out Michael Jackson had passed away?

BL: I was somewhere massively pretentious actually (laughs), I was at Shoreditch House on the roof (winces in pain). My friend is like the biggest Michael Jackson fan and he just text me ‘Jackson Dead.’  I called him and then soon after everyone descended into conversation about that.

SSF: So did MJ have an influence on you and your music?

BL: If I am perfectly honest not really.  I never grew up listening to him… my cousins did, so I don’t know how I bypassed him.  I obviously knew his music and listen to it on the radio, however I never bought any of his albums until like 1994, 1995, so, the crux of my musical upbringing wasn’t around him at all.  That said, I do really really love his stuff and his song-writing is amazing.

SSF: So finally, what’s next for you?

BL: There’s going to be a single, which is the double A of Good Times and I Knew What To Say coming out in October, we’re just talking to the little label that are going to put that out at the moment.  I’m gonna play in New York, and I’m doing lots of writing… so yeah I’m keeping myself busy.

Soulside Funk

Links

Bright Light, Bright Light Myspace – http://www.myspace.com/brightlightx2

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