Gig Review and Pictures: Emeli Sande at The Tabernacle, London – 07/11/2011

The Tabernacle is a beautiful venue. The converted former church provided the perfect setting for an artist I knew little about beyond her graceful debut single Heaven. After last night I know a lot more about her now as she bought a real sparkle to a somewhat grey, drab and dreary evening in West London.

Given my dearth of knowledge about Emile this concert had the same feeling as opening a new CD, purchased on the strength of the front cover or a feeling (yes, that does still happen) and just hoping it turns out alright.  Only difference this time there was a band, a couple hundred people and a singer who bobs and weaves around on stage like Mayweather avoiding a fight with Pacquiao!

The set started well, a bouncy number called Lifetime really caught the ear with its mid-tempo joy and carefree lyrics. Emile is clearly talented and as she settled down at kid piano to sing Clown she let’s us know she almost became a doctor, only for her parents to remind her she’s a musician and not to give it up (thought it usually went the other way round).  Still, we can all be glad they make sure she persisted because Emile is certainly blessed.

Soon followed a song called Break The Law which we’re told she usually strips down. I’m glad she didn’t because what followed was powerful tale which the pulsating backdrop provided by the band bulked out and provided strong character.

The highlight of the night was Daddy, her second single and boy can she pick singles.  Following the mellow, uplifting Heaven this is its antitheses; dark, powerful and angry with immense sound that captivated the Tabernacle and got the biggest applause of the night.

Hope a record she wrote with Alicia Keys was a nice piano by numbers song and provided a suitable filler.  The only real downer on the night was the sound of her band drowned her voice on too many occasions.  Especially during the big, atmospheric numbers Emile was left fighting and having to scream out her notes – and bob and weave with more urgency (bet she does boxercise).

As expected she closed with Heaven, however personally I think the song prior, Mountains would have provided a better close.  The sweet song was both beautiful and uplifting, and with a mini sing-a-long it would have been a poignant closing (then come back to sing Heaven as an encore!).

I didn’t know much about Emile Sande heading in… heading out I know that on the strength of this show her album (when its finally released) will be an essential purchase.  Emile Sande deserves every plaudit she gets and those off to her sold out show at Koko at the end of the month are in for a bit of a treat.

Rob

Emeli Sande at The Tabernacle Emeli Sande at The Tabernacle Emeli Sande at The TabernacleEmeli Sande at The Tabernacle

Gig review and pictures: Ellie Goulding at Heaven, London (15/04/2010)

Dear Ellie Goulding

I’m sorry… I was expecting a poor show and you let me down.  I was even sat in Pizza Express (classy I know) eating dinner before the gig thinking about the different ways in which I could poke fun at you.  Now I feel lke an idiot… please accept my apologies.

All jokes aside, music critics had gone crazy about Ellie Goulding yet upon hearing the album I had no idea what they were on about; she just seemed like another Pixie Lott to me… oh how wrong I was, after seeing her show I fully get it.

I have no idea where she pulled it out from but the show was really really good.  On stage with her band was a far cry from radio station Ellie, it was mature, the bass sounded round and her voice was impassioned.  This was by no means the lollipopfest I was expecting.  It was more wholesome, far more Two Door Cinema Club, than Pixie Lott.  I’ve been trying to pick holes, trying to pretend I did not enjoy it as much as I did but I can’t.

The music grew up on stage, her next single Guns and Horses was by far the best song of the night and would have sat perfectly on any fanboys iPod; at times I had to pinch myself to believe it was her.  Her cover Midlake’s Rosco was fun and another highlight, Biggest Mistake (lovingly introduced “everyone writes songs about mistakes so I thought I’d just name it ‘Biggest Mistake’), was a shock to the system because on the album it sounds dull and boring yet live it was full of vitality.

Ellie herself seems like a lovely girl, very shy yet sincere in her words.  When she said it meant a lot to her we all came out, I actually felt like she meant it.  I wanted to run on stage and give her a hug.  She ended the main set with Under The Sheets which led to a surreal moment as her and the band flew off stage in the blink of an eye and a flash of light.  No was sure what to do; cheer… stand in silence… heckle… so after a minute or so of random noises she came back out for an encore and to close the show.

OK, so I could diss her for The Writer which sounded a bit plain in comparison to the life she breathed into every other record on the album.

The set did not drag either; she had everyone dancing from the start, then head bopping.  When the electro-indie got a bit tiresome she flipped it and slowed everything down before ramping it up again.

I don’t whether it was because my expectations were so low, or maybe the waiter sneaked something onto my Pizza but I really enjoyed last night.  Ms. Goulding, I’m sorry for doubting you and I’m gonna have to save all those sly insults from someone else because right I only have nice things to say about you.

If like me you searched out Ellie because of the hype then thought nothing of album (outside of one or two tunes being ‘ok’), make sure you catch her live because it will all make sense.

Soulside Funk

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Ps. Two good shows on the trot, feeling good, roll on next week!

f

Gig Review and Pictures: MGMT at Heaven (18.03.2010)

MGMT’s comeback gig at Heaven ‘officially’ sold out in under 20 minutes, and after all that excitement for a band finishing a long hiatus the gig was just a little well… disappointing.

After a relatively lengthy break MGMT returned to play Heaven for a long awaited show in advance of their latest album release.  Earlier this week, an article on the Guardian Musicblog stated MGMT’s upcoming album had no singles (leading them to say some very unfair things – article here ).  To be fair this is probably true, however singles or no singles it all sounded rather good.  The beats were tight and there was a good mix between guitar and synths.  They flipped from new to old, the difference being a noticeably more authentic indie sound to the newer music with a lot less electro and whole lot more lead guitar.  It sounded like the music you would expect the Zombies to be making if the band had formed now.

The problem was, as good as it sounded it seemed like they just didn’t care.  Like they had assumed no matter what they did everyone would love it.  The performance lacked energy, excitement… kind of like opening a box of Cadbury’s Roses to find it full of Coffee Creams.

The biggest let down of the night was that they did not play Kids.  Come on fellas, that’s your biggest tune!  I shit you not, after the lights came on and the roadies were packing away the stage there were still about forty people up the front chanting, “Kids, Kids, Kids, Kids…”  They refused to play their biggest song; it’s kinda like they bent over and raped 63.286% of the audience.  In hip-hop we call that an Epic Fail!

This was by no means a bad show, it was more a disappointment.  After being away so long I thought they would have at least turned up for it and played like they cared. The new material sounds really good (and it should make for a decent album); it’s just a shame MGMT have given up on it before the album has even been released.

Soulside Funk

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for an encore try…


Gig Alert: Ellie Goulding (15.04.2010)

Ellie Goulding to play Heaven

The first gig alert for 2010 and for me it’s somewhat an unknown factor.  Ellie Goulding is set to have a massive 2010 and already has a tour planned.  She has made almost every ‘one’s to watch’ list under the sun (and may even make mine) with her folk-tinged electro.

She plays Heaven on April 15th, and travels the nation throughout April (and in March with Passion Pit).

Tickets are £10 so not bad if she fulfils her potential (however SeeTickets adds £6 in fees – bloody rip-off merchants!).  Available here – SeeTickets

No idea what to expect – which makes this exciting.

Soulside Funk

Gig Photos: Little Boots @ Heaven 28.05.09

LB Gig Photo Border

Photos from the Little Boots gig below…

All photos were taken by me.  Please do not remove the large (and rather garish) tags.  If you would like a copy of the original photo just contact me on the e-mail.

Gig Review: Little Boots @ Heaven 28.05.09

Little Boots - Border

Electro-Pop’s new princess reminds everyone why there is so much hype surrounding this petit little star.  Just to let you know… she rocked!

If you have not heard about Little Boots, you must have either been living in Kazakhstan or hiding under one immensely huge boulder!  I went to Heaven curious about the hype and it seems she went there to let everyone know the reason why there has been so much noise.  The blog posts, the remixes, the newspaper articles, the mixes have been relentless for a while now.  Little Boots has been catapulted to darling status in the industry and her set at Heaven was testament to her unquestionable talent.  The show also served to highlight a major problem with the industry’s approach to new music in the UK.

Anyways… the stage was futuristic. The colourful lighting and thick smoke made Heaven feel like a space ship.  I was almost expecting Spock to introduce her.  The Yamaha Tenori-On perched to the side of the stage added to the atmosphere, looking like it a prop from the latest Star Trek movie.

From the moment she took to the stage until her final song the show was full of vibrancy and energy.  Thunderous renditions of popular songs such as Mathematics, Meddle and the latest single New In Town fully met expectations.  Her performance of Stuck on Repeat fully exceeded expectations.  A somewhat bland record was given a new lease of life pulsating out of Heaven’s remarkably loud sound system.  The stage and the music interacted effortlessly. It felt like a futuristic party in 2050.

She appeared to relish the occasion, almost ice-cool as she moved around the stage pressing buttons, dancing and stomping her feet like it was Nineteen-Ninety-Nine.  For about an hour, Heaven was all hers.

It was only upon leaving Heaven that it the question hit me; why on earth did it take so long for Little Boots to move from hype to an album release?  It never ceases to amaze me how the UK music industry can take so long to recognise and elevate talent, instead choosing to happily churn out generic rubbish at the speed of light.    I pray she gets the record sales this performance deserves.  I implore you, buy this album.  Even though what was a new and refreshing sound 12 months ago now sounds a little generic because clones and copycats from across the pond managed to get their record out first!

Back to show, the icing on the cake had to be Philip Oakley (of the Human League) joining her on stage for the performance of Symmetry.  Even Ms. ‘ice-cool’ Little Boots was melted by this, a special moment at a thoroughly enjoyable gig.  Good Luck girl…

Score: ***½ / 5

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